Broadway Gallery

 Framing in Alexandria since 1978 | 5641 B General Washington Drive - Alexandria, Virginia 22312 | Ph: 703-354-2905
STORE HOURS | Mon - Fri: 9 am - 5:30 pm | Sat: 10 am to 5 pm | Sun: By Appointment only

Fred Eberhart

We proudly show work from dozens of talented artists in our Alexandria Gallery and on our website. All of our artists are listed on the left side of the page simply click on the artist's name to see their work and learn more about them.

For your convenience, we try our best to keep the inventory as accurate as possible. Please contact us or visit our gallery to check on the availability of the artwork you are interested in.

  • A Morning StrollA Morning Stroll
  • Allegheny ArcadiaAllegheny Arcadia
  • Around the Pond in WinterAround the Pond in Winter
  • AssemblyAssembly
  • Autumn Blaze on the Mill ProngAutumn Blaze on the Mill Prong
  • Autumn Bloom on Hogcamp BranchAutumn Bloom on Hogcamp Branch
  • Autumn Light on the Rockfish North ForkAutumn Light on the Rockfish North Fork
  • Blue Ridge BarnBlue Ridge Barn
  • Blue Ridge Rock GardenBlue Ridge Rock Garden
  • Blue Ridge, Heralds at DawnBlue Ridge, Heralds at Dawn
  • Bluebird's RememberanceBluebird's Rememberance
  • Brandy Station Field in AutumnBrandy Station Field in Autumn
  • Broad RunBroad Run
  • Bull Run Midsummer MorningBull Run Midsummer Morning
  • Bull Run Mountain Road, AutumnBull Run Mountain Road, Autumn
  • Bull Run Mountain, Early SpringBull Run Mountain, Early Spring
  • Bull Run, Midsummer MorningBull Run, Midsummer Morning
  • Calfpasture Valley, Late AutumnCalfpasture Valley, Late Autumn
  • Cloud FenceCloud Fence
  • Cold Water Finds Warm LightCold Water Finds Warm Light
  • Crooked RunCrooked Run
  • Day's End on Young BranchDay's End on Young Branch
  • Daybreak on the LandDaybreak on the Land
  • Down on the Potomac PlainDown on the Potomac Plain
  • Down the LineDown the Line
  • Due Respect to the Rising SunDue Respect to the Rising Sun
  • Early Spring Along White Oak RunEarly Spring Along White Oak Run
  • EdieEdie
  • Elklick Run in SpringElklick Run in Spring
  • Elysium on Cedar RunElysium on Cedar Run
  • Fernwood in AutumnFernwood in Autumn
  • Fodderstack Winter SunsetFodderstack Winter Sunset
  • Fog's FlightFog's Flight
  • Fogg MountainFogg Mountain
  • Forty-Thousandth DawnForty-Thousandth Dawn
  • Fresh StartFresh Start
  • Golden RuleGolden Rule
  • Goose Creek MorningGoose Creek Morning
  • Green PaturesGreen Patures
  • Hidden Valley, AwakeHidden Valley, Awake
  • Highland ShelterHighland Shelter
  • Hogback FogHogback Fog
  • In the Woods, Bigelow Hollow SP. Tolland Hollow In the Woods, Bigelow Hollow SP. Tolland Hollow
  • Jeremy's Run in AutumnJeremy's Run in Autumn
  • Leaving MiddleburgLeaving Middleburg
  • Light from DarknessLight from Darkness
  • Light's Touch at Poplar FordLight's Touch at Poplar Ford
  • Lines of AffinityLines of Affinity
  • LossLoss
  • Morning Light on the C & OMorning Light on the C & O
  • Morning on a Culpepper FieldMorning on a Culpepper Field
  • Morning, Birches, and SycamoresMorning, Birches, and Sycamores
  • Morning, The Plains, VirginiaMorning, The Plains, Virginia
  • Night FallsNight Falls
  • Oak's DomainOak's Domain
  • Old Cedar, Young OakOld Cedar, Young Oak
  • Old RagOld Rag
  • Old Rag, Clearing StormOld Rag, Clearing Storm
  • Over Resting FieldsOver Resting Fields
  • PassagePassage
  • Passing Time on the Middle RiverPassing Time on the Middle River
  • Potomac CongregationsPotomac Congregations
  • Promise of DawnPromise of Dawn
  • Rapidan River, AutumnRapidan River, Autumn
  • Rappahanock Dawn, AutumnRappahanock Dawn, Autumn
  • Ridge and Valley, Night and Day, Bald Knob SunriseRidge and Valley, Night and Day, Bald Knob Sunrise
  • Rite of PassageRite of Passage
  • Rites of Spring on Cedar RunRites of Spring on Cedar Run
  • Robinson River ElmsRobinson River Elms
  • Robinson River Elms IIRobinson River Elms II
  • Rocky RunRocky Run
  • Rocky Run 2Rocky Run 2
  • Rocky Run in Fading LightRocky Run in Fading Light
  • SanctuarySanctuary
  • Sashay Down and BackSashay Down and Back
  • Seed to the WindSeed to the Wind
  • Setting Sun on Hickman RunSetting Sun on Hickman Run
  • Shenandoah BreakShenandoah Break
  • Soft to the HillsSoft to the Hills
  • Somerset DawnSomerset Dawn
  • South Fork PotomacSouth Fork Potomac
  • Spring FedSpring Fed
  • Spring Field, Flint HillSpring Field, Flint Hill
  • Still Life on Warm Springs MountainStill Life on Warm Springs Mountain
  • Stoney Creek, Late SpringStoney Creek, Late Spring
  • Sunplay on Lime Kiln RoadSunplay on Lime Kiln Road
  • Sunset on Faquier SnowSunset on Faquier Snow
  • Sycamores on Popham RunSycamores on Popham Run
  • The Alchemist's PoolThe Alchemist's Pool
  • The Cattle's KeepThe Cattle's Keep
  • The Course of Light, Jeremy's RunThe Course of Light, Jeremy's Run
  • The Leave - Taking of the MoonThe Leave - Taking of the Moon
  • The Promise of DawnThe Promise of Dawn
  • The River's SupplicantsThe River's Supplicants
  • The Verdant VeilThe Verdant Veil
  • To the FlameTo the Flame
  • Turn into LightTurn into Light
  • Turning Point on Bald KnobTurning Point on Bald Knob
  • Under the Veil of DawnUnder the Veil of Dawn
  • Watch over Muddy RunWatch over Muddy Run
  • West Virginia GicleeWest Virginia Giclee
  • White Oak CanyonWhite Oak Canyon
  • Widewater MistWidewater Mist

Biography

I am a confirmed digital photographer. But as a passionate landscape photographer, I am acutely aware of the limitations of digital technology in that pursuit. Even among higher-end digital cameras, the technology has not yet reached a point at which individual digital images can meet the resolution and quality standards of scanned images from medium and large format film. This shortcoming is particularly evident in the creation of fine art landscape images, often most advantageously displayed in large format, high-resolution prints. I have sought to overcome this limitation by creating stitched mosaics from arrays of juxtaposed digital images. Using robust mosaic-stitching software, I am able to produce seamless, large format, high-resolution images of a quality comparable to the larger film formats. Preparation of a finished mosaic of 24 or more component photographs may require days for setup, processing, modification and finishing to my satisfaction. Some of the more challenging mosaics, shot in rapidly changing light or with moving subjects, may require several attempts to get it right. However, there is considerable creative satisfaction in the process and in the result. I do not feel a need to wander too far from my Centreville, Virginia home to practice my avocation for landscape photography. I find particular satisfaction capturing glimpses and hints of a disappearing life and natural setting in rural Virginia, a region that is yielding far too quickly to the chain saw and bulldozer. For me, the pleasure of “being there” when I find an image worth capturing is an integral part of the joy of the pursuit.

I shoot with relatively inexpensive lightweight and flexible equipment. I process my images digitally, but I use no distorting digital “artistic filters.” Still, I am not interested in capturing photographic time-slices of reality. In my stitched landscape mosaics, I seek to achieve an image effect that is sharp in resolution and yet soft, and sometimes even surrealistic, in tone and feeling. Giclee printing with high-end Epson printers using century-durable pigment inks on archival fine art papers lends itself well to this desired effect. I consider it a compliment, and a success, if my mosaic landscapes are sometimes initially mistaken for paintings.

I hope that viewers will find my images compelling and emotive, touching them in a meaningful way, and conveying my love for, and awe at the natural and visual gifts with which we have been endowed.

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