Frederick Eberhart
Frederick Eberhart, “Assembly”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Ascending Path”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Bluebird’s Remembrance”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Allegheny Arcadia”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Blue Ridge Rock Garden”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Blue Ridge B:00 arn”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Broad Run”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Bull Run Mountain Road”, Photograph, Multiple Sizes Available
Frederick Eberhart, Cedar Run, Early Spring, digital photograph
Frederick Eberhart, “Green Pastures”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Clouds on Indian Creek”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Cold Water Finds Warm Light”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Crooked Run 2”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Daybreak on the Land”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Down the Line”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Due Respect to the Rising Sun,” Photograph, Multiple Sizes Available
Frederick Eberhart, “Edie”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Elysium on Cedar Run 2”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Fall to Fog”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Fauquier Morning”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Fog’s Flight”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Fogg Mountain”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Golden Rule”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Goose Creek Morning”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Hidden Valley, Awake”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Cloud Fence”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Jackson River, Dawn”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Last Light on the Jackson, Early October”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Highland Shelter”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Last Stand on the Cowpasture,” Photograph, Multiple Sizes Available
Frederick Eberhart, “Light from Darkness”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Loss”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Morning on a Culpepper Field”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Morning, Birches and Sycamores”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Morning, The Plains, Virginia”, Photograph, Multiple Sizes Available
Frederick Eberhart, “New Day, Fresh Start”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Night Falls”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Oak’s Dominion”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Old Cedar, Young Oak”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Old Rag”, Photograph, Multiple Sizes Available
Frederick Eberhart, “On the River”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Passage”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Rapidan River, Autumn”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Rites of Passage”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Rites of Spring on Cedar Run”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Robinson River Elms 2”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Robinson River Elms”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Rocky Run 2”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Sanctuary”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Sashay Down and Back”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Shenandoah Break”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Soft Dawn, Potomac River”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Somerset Dawn”,Photograph, Multiple Sizes Available
Frederick Eberhart, “South Fork, Potomac”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Spring Fed”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Spring on Bull Run,” Photograph, Multiple Sizes Available
Frederick Eberhart, “Steps and Turns on Jeremy’s Run,” Photograph, Multiple Sizes Available
Frederick Eberhart, “Sunplay on Lime Kiln Road”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Turning Point on Bald Knob 2, Photograph”, Multiple Sizes Available
Frederick Eberhart, “Under Dawn’s Veil”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Watch over Muddy Run”, Photograph, Multiple Sizes Available
Frederick Eberhart, “White Oak Canyon”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Autumn Bloom on the Hog Camp Branch”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Widewater Mist”, Photograph, Multiple Sizes Available
Frederick Eberhart, “Morning Light on the C&O,”, Photograph, Multiple Sizes
Frederick Eberhart, “To the Flame”, Photograph, Multiple Sizes
Frederick Eberhart, “West Virginia Giclee,” Photograph, Multiple Sizes Available
Frederick Eberhart, “A Morning Stroll,” Photograph, Multiple Sizes Available
“I am a confirmed digital photographer, but as a passionate landscape photographer, I am acutely aware of the limitations of digital technology in that pursuit. Even among higher-end digital cameras, the technology has not yet reached a point at which individual digital images can meet the resolution and quality standards of scanned images from medium and large format film. This shortcoming is particularly evident in the creation of fine art landscape images, often most advantageously displayed in large format, high-resolution prints. I have sought to overcome this limitation by creating stitched mosaics from arrays of juxtaposed digital images. Using robust mosaic-stitching software, I am able to produce seamless, large format, high-resolution images of a quality comparable to the larger film formats. Preparation of a finished mosaic of 24 or more component photographs may require days for setup, processing, modification and finishing to my satisfaction. Some of the more challenging mosaics, shot in rapidly changing light or with moving subjects, may require several attempts to get it right. However, there is considerable creative satisfaction in the process and in the result. I do not feel a need to wander too far from my Centreville, Virginia home to practice my avocation for landscape photography. I find particular satisfaction capturing glimpses and hints of a disappearing life and natural setting in rural Virginia, a region that is yielding far too quickly to the chain saw and bulldozer. For me, the pleasure of “being there” when I find an image worth capturing is an integral part of the joy of the pursuit.
I shoot with relatively inexpensive lightweight and flexible equipment. I process my images digitally, but I use no distorting digital “artistic filters.” Still, I am not interested in capturing photographic time-slices of reality. In my stitched landscape mosaics, I seek to achieve an image effect that is sharp in resolution and yet soft, and sometimes even surrealistic, in tone and feeling. Giclee printing with high-end Epson printers using century-durable pigment inks on archival fine art papers lends itself well to this desired effect. I consider it a compliment, and a success, if my mosaic landscapes are sometimes initially mistaken for paintings.
I hope that viewers will find my images compelling and emotive, touching them in a meaningful way, and conveying my love for, and awe at the natural and visual gifts with which we have been endowed.”
